A ascensão e decadência do consumo de lives musicais durante a pandemia: uma análise sob o prisma da teoria da prática

Conteúdo do artigo principal

Frederico Leocádio Ferreira
https://orcid.org/0000-0002-1038-9940
Juliana Maria Magalhães Christino
https://orcid.org/0000-0003-0186-9704
Laura de Oliveira Cardoso
https://orcid.org/0000-0002-7634-7305
Ana Luíza Silva Noronha
https://orcid.org/0000-0003-2898-9327

Resumo

O fenômeno de assistir lives musicais popularizou-se durante a pandemia do COVID-19, enquanto um ato de lazer dentro de casa. Durante três meses elas pertenceram à rotina de brasileiros e estrangeiros, para então perder audiência de forma exponencial. Essa trajetória é o objeto de pesquisa desse trabalho, estudada sob o prisma da teoria da prática, o qual buscou entender os elementos formadores dessa prática de consumo, sua sincronia com outras práticas do cotidiano, bem como fenômenos externos que atuam na consolidação (ou não) de uma prática. Para tal, foram coletadas entrevistas em profundidade com 24 praticantes, sendo os resultados analisados por meio de uma análise temática. Os achados dão pistas sobre os motivos pelos quais a prática decaiu, com destaque para a sobreposição de práticas pertencentes à rotina criada no isolamento social pelos praticantes, e redução da originalidade (entendimento) inicial de lives mais intimistas, que se perdem em meio à busca por inovações na prática. Possíveis desdobramentos sobre o futuro das lives pós pandemia, contribuições teóricas e gerenciais também são discutidos.

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Ferreira, F. L., Christino, J. M. M., Cardoso, L. de O., & Noronha, A. L. S. (2022). A ascensão e decadência do consumo de lives musicais durante a pandemia: uma análise sob o prisma da teoria da prática. Cadernos EBAPE.BR, 20(3), 401–416. https://doi.org/10.1590/1679-395120210014
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